Equalization Deconstructed: Four Methods to Better Sound

I built this course for beginner and intermediate audio engineers looking to refine their approach to equalization in the tracking or mixing process. With so many options, we will narrow our focus to semi-parametric, parametric and hi pass filters.

An engineer can play the mix quite safe and make minute changes. Other times, to achieve the desired results, an engineer may use every dB of a give parameter. The methods discussed in this course can help create clarity in mixes, help the important sounds stand out, and achieve a desirable tonal balance. Or they can be used to make the greatest noisiest wall of sound!

In the course, I discuss four different methods to approach sculpting a sound but these are not the only ways to approach using EQ.

Techniques discussed include:

Using High Pass Filters - removing unneeded low end

EQ for Clarity - subtracting the offending frequencies

EQ to Fit - Finding clashing areas between like-sounding instruments and creating balance between them

EQ to Make Big - Used sporadically, use on one high or mid dominant area and one low frequency area to highlight the most important sounds.

EQ though is only one part of a great mix. Volume and pan seem obvious choices, but many new mix engineers tend to overlook panning is creating a wide, interesting mix. Dynamic processing using compressors, limiters, expanders, and gates are also vital in creating a solid mix. And of course, the use of time-based effects such as reverb and delay can add air, interest, and spark to a mix.