- My Other Free Courses on Udemy
- About the Instructor
- How this Course Works
- A Comprehensive Content Guide to Sound & Design
- Private Worlds (AI generated music video)
- Barn Burner (AI generated music video)
- Zenzizenzizenzic (AI generated music video)
- AI & Performance Visuals: the Death or Rebirth of the VJ Loop?
- Some Brief Observations on AI Filmmaking
- VJ Loops! Medium, Aesthetics & Emergence
- Hypnagogia as an Aesthetic for AI-Generated Music Videos
- Pixop: an Online AI Video Upscaler
- Text-to-Video AI-Generated Media
- BPMs for Runway's 4-Second Video Clips
- AI-Generated Art & Copyright: General Ideas vs Particular Expressions
- Making Music Videos with AI
- Case Study #1: Exploring a 'Piano World' with Generative AI
- Case Study #2: Viruses in Voxelville: My Contribution to the Zombie Genre
- Miscellaneous AI Topics
- A Fast Method for Making Melody-Driven Dance Music
- Chord Sweeteners
- Delayed Onset Melodies and Downbeat Avoidance
- Deep Melos | a chord progression strategy
- Separated & Sequentialized Density | an orchestration strategy
- Composing Generated Pitch Patterns with Ghost Note Harmonies
- Approaches to Making Beats
- Transitional Sounds: overcoming the blockiness of your blocky composition
- Composing Loop-Based Music
- Making Upbeat Music Out of Sad Keys (and vice versa)
- Pumping the Mix at Kick Transition Points
- The Single Chord Progression Song
- Composing Constant Urgency with Rising Ramps
- Evolving Drones as Song Structural Mix Glue
- Using Filters for Compositional Variation
- Noise Gating Instrument Layers for Rhythmic Effects
- When Synthesizers Scream Sing
- Auditory Streaming Effects in Synthesizer Patch Design
- Machinic Humanization of Note Velocities
- MIDI Pack Challenge
- Spectrum Analyzer Slopes in Audio Mixing
- Reverse Engineering EDM’s Mix Profile
- Breaking the Rules with Room Acoustics
- Audio Plugin Management
- Managing Splice Preset Downloads
- Mixing vs Mastering
- Muscle and Subtlety | varieties of parametric equalizers in your mix
- Knobs, Curves and Spectra | Notes on EQs and UI
- A Genre-Neutral Mix Template
- Smashing Glue Compressors on the Drum Bus
- About this Section
- Starting From Zero with Modular Synthesis and VCV Rack
- Starting with the Starter Patch in VCV Rack
- Top 10 Modular Synthesis Modules
- East Coast vs West Coast Synthesis | a bit of history
- VCV Rack Module Reference
- Adding Plugins to VCV Rack
- Voltage Control Visualization in VCV Rack
- How to do Fast and Easy Morphing Transitions in DaVinci Resolve
- Basic Concepts in Video Synthesis
- Making Vertical Videos for Social Media in Davinci Resolve
- Using Audacity for Video Glitch Effects
- Beat Reactive Visual Effects in FL Studio with ZGameEditor Visualizer
- Double Exposure Effects in Davinci Resolve à la True Detective Opening Titles
- Mirror Effects in Davinci Resolve à la Dark Opening Titles
- Video Synthesis and Recording with Lumen and Syphon
- How to Set Up a Home Green Screen Studio for Video Production
- How to Get 100 Free OpenFX Video Filters
- Interactive and Generative Video | How Do You Make Money With It?
- Visual Synthesizer by Imaginando
- Tikikiti.com : ‘Bringing Back the Music Video’
- Max Programming: a little background
- Some Max Learning Resources
- Should you work through these Max modules in the order presented?
- If You're Brand New to Max Programming....
- Max Compressed Text
- Locked and Unlocked Patcher Windows
- Getting Help with Max Objects
- Troubleshooting in Max
- A Random Road Trip Through Max Objects #1
- A Random Road Trip Through Max Objects #2
- Change Something! An Approach to Infinite Parameter Management
- Programming Improvising Drum Sequencers in the Max Environment
- Harnessing Randomness in Drum Sequencing
- Roll Your Own Cthulhu: programming a chordal sequencer in the Max environment
- Phenomenology in the Design of Melody Generating Algorithms
- Driving VCV Rack with Max
- Interactive Video: an Open Educational Resource (OER)
- Video Art and Databases
- Vizzie and Jitter
- Vizzie #1 | Getting Started
- Vizzie #2 | Standalone Apps